
Mom Jeans.
Best Buds
442M+ Spotify streams
Recorded at The Panda Studios by Ryan Ellery.
Every record here has a meaningful connection to The Panda Studios. Some were produced and recorded here from start to finish. Some came through Panda for specific tracking, mixing or mastering. Some were made by artists who brought their own production team and chose Panda for the rooms, gear and facility. Every card tells you exactly who did what.
Mom Jeans. Best Buds
The Story So Far What You Don’t See
The Story So Far Self-Titled
State Champs The Finer Things
Mom Jeans. Puppy Love
Scowl How Flowers Grow
Hundredth Rare
Sunami Sunami LP
SpiritWorld DEATHWESTERN
Ryan Caraveo Forever Foggy
Lionheart The Will to Survive
SPICE Viv
Misser Distancing
Basement Colourmeinkindness
The Story So Far Proper Dose
The Story So Far Under Soil & Dirt
Basement Promise Everything
Ryan Caraveo Trouble in Paradise
Spite Nothing Is Beautiful
Gulch Burning Desire to Draw Last Breath
After the Burial Wolves Within
The Dangerous Summer Mother Nature
Fallujah The Harvest Wombs
SPICE SPICE
Forever Came Calling Contender
A curated set of the records that best show what happens here, not the whole history. Filter by the work Panda did, then narrow by engineer if you want. Every card names the people who actually did it. The full catalog is on Spotify.

Best Buds
442M+ Spotify streams
Recorded at The Panda Studios by Ryan Ellery.

Colourmeinkindness
RIAA Platinum Single: "Covet"
Produced, engineered and mixed by Sam Pura.

What You Don’t See
#46 Billboard 200
Produced, engineered and mixed by Sam Pura.

Proper Dose
#19 Billboard 200
Produced and engineered by Sam Pura.

Self-Titled
#23 Billboard 200
Produced, engineered and mixed by Sam Pura.

Under Soil & Dirt
169M+ Spotify streams
Produced, engineered, mixed and mastered by Sam Pura.

The Finer Things
#2 Billboard Heatseekers
Produced, engineered and mixed by Sam Pura. Guitar and bass by Sam Pura.

Promise Everything
#1 Billboard Heatseekers
Produced, engineered and mixed by Sam Pura.

Puppy Love
66M+ Spotify streams
Recorded at The Panda Studios by Ryan Ellery.

Trouble in Paradise
37M+ Spotify streams
Mixed and mastered by Sam Pura.

How Flowers Grow
Produced, engineered, mixed and mastered by Charles Toshio.

Nothing Is Beautiful
Engineered by Sam Pura.

Rare
#20 Billboard Independent Albums
Co-produced by Hundredth and Sam Pura. Engineered and mixed by Sam Pura.

Burning Desire to Draw Last Breath
Tracked and mixed by Charles Toshio. Mastered by Brad Boatright at Audiosiege.

Sunami LP
Produced, engineered, mixed and mastered by Charles Toshio.

Wolves Within
Self-engineered by Trent Hafdahl, Justin Lowe and Anthony Notarmaso.

DEATHWESTERN
Produced, engineered and mixed by Sam Pura. Guitar and bass by Sam Pura. Engineering, vocal engineering and mix assistance by Theresa Brown.

Mother Nature
Produced, engineered and mixed by Sam Pura.

Forever Foggy
7M+ Spotify streams
Mixed and mastered by Sam Pura.

The Harvest Wombs
Produced and engineered by Sam Pura.

The Will to Survive
Produced, engineered, mixed and mastered by Sam Pura.

SPICE
Produced, engineered, mixed and mastered by Sam Pura.

Viv
Engineered by Jack Shirley. Additional engineering, additional production, mixing and mastering by Sam Pura. Additional engineering and mix assistance by Theresa Brown.

Contender
Produced, engineered, mixed and mastered by Sam Pura. Guitar by Sam Pura.

Distancing
Produced, engineered, mixed and mastered by Sam Pura.
Not a ranking, just records where the story behind them says something about how this place works.
The Story So Far had already made Under Soil & Dirt at Panda. When they came back for What You Don’t See, the studio became an even bigger part of the record. The band leaned into Panda’s rooms, amps, cabinets, instruments, and recording chains rather than arriving with a predetermined collection of their own gear.
Those choices helped create a sound that became closely associated with the band and, eventually, with a new generation of pop punk. It is one of the clearest examples of Panda being more than the place a record was recorded. The rooms, gear, and production decisions became part of the identity of the record itself.
Four records at Panda2011 to 2018






Basement flew from Ipswich to Fremont to make Colourmeinkindness at Panda in 2012. While the album was being made, the band announced an indefinite hiatus. That gave the project a completely different weight. Sam genuinely believed this might be the final Basement record, and felt a responsibility to make it count.
Then the unusual thing happened. The band stopped. The record didn't. Colourmeinkindness kept growing while Basement was inactive. The band eventually returned, the audience became substantially larger, a new generation discovered the record, and nearly 14 years later the song “Covet” went RIAA Platinum.
When Best Buds was made, Ryan Ellery was an engineer working out of The Panda Studios. Ryan engineered the record, with the drums and bass recorded at Panda. The album went on to become one of the defining independent emo records of its generation, accumulating hundreds of millions of streams.
It is a great example of Panda’s history being shaped by different producers and engineers, each bringing their own approach to the rooms and making records that continue to matter years later.
Some records need to be captured. DEATHWESTERN needed to be built. Sam Pura took a deeply hands-on production role from the beginning, even bringing in his “best friend” Thomas Pridgen to play drums, reshaping performances and arrangements, and pushing the record wherever it needed to go. Panda’s rooms, gear, and team became part of that process, with nothing treated as fixed just because it had already been written.
The result is one of the clearest examples of production at Panda going all the way. Released by Century Media and named Stereogum’s Album of the Week, DEATHWESTERN eventually took on another life too: its sound became the foundation for the DEATHWESTERN plugin, turning the production itself into a tool other people now use to make records.
Explore the DEATHWESTERN Plugin →
Hundredth had already started pushing against the boundaries of hardcore, but Rare was the point of no return. The band rebuilt its sound around atmosphere, melody, texture, and an entirely different production language.
It is one of Panda’s clearest examples of production being more than improving what a band already does. Sometimes the job is helping an artist figure out what they are supposed to become next.

Charles Toshio has built a serious body of work out of Panda with bands like Scowl, Sunami, Gulch, SPY, World Peace, and many others, helping shape a new generation of Bay Area hardcore in the same rooms that have been making records for decades.
That is part of what makes Panda what it is. The studio has never belonged to one sound, one era, or one producer. New engineers bring their own taste, their own relationships, and their own records into the building, and the history keeps growing from there.
Drum tuning to the key of the song, tracking guitars off a clean DI, and why Panda runs like a plug-and-play production facility.
Listen → RecordingHacks The Microphone-Changing RobotA look back at one of Panda’s earliest custom builds, remotely repositioning a mic on a guitar cab via joystick from the control room.
Read → The Self-Recording Band Noise PerfectedA 2024 conversation on making uncompromising records that stand the test of time, and the philosophy behind The Panda Studios.
Listen → Kerrang! The Unique Art of Mixing Emo & Pop-PunkSam on treating a mix as a creative process, not just a technical one, and what listening to pop production teaches a rock engineer.
Read → Sonarworks Studio Stories: Sam PuraOn being pigeonholed into pop-punk despite a much wider range, and why he’s a believer in mixing through analog tape.
Read → The Sonic Truth A Conversation with Sam PuraA long-form 2024 conversation covering drum recording, the Bay Area scene, mastering, and building Purafied Audio.
Listen →
The Waiting Room27 bands filmed live at Panda, 2010 to 2017. Watch the sessions →
Artists who have recorded, rehearsed, performed, filmed, or otherwise worked at Panda. Listed as facility history, not as production or engineering credits. The Waiting Room bands have their own page.
Tell us what you’re making and we’ll tell you what it takes to make it here.
Tell Us What You’re Making →